All posts tagged: customer experience

Rebalancing the brand experience

A couple of months ago, Adrienne Bateup-Carlson sent me this op-ed by Roger Cohen. In it, Cohen laments the plasticisation of experience. “The question of genuine, undiluted experience has been on my mind,” he writes. “Germans have a good word for something authentic: “echt.” We have an echt deficit these days. Everything seems filtered, monitored, marshaled, ameliorated, graded and app-ready — made into a kind of branded facsimile of experience for easier absorption. The thrill of the unexpected is lost … We demand shortcuts, as if there are shortcuts to genuine experience.” Anyone who’s ever been on the receiving end of a fast-food “service experience” can sympathise. The greetings are anonymous, the requests generic, the answers pat, the actions either physically or mentally automated. This is life on rote, experience in a box. It feels as sincere as the latest apology for downtown traffic delays, the “Thanks for waiting” message from the telco customer service team and the reassurances from an insurer that they will “gladly” pay up in the event of a claim. It …

More brands should leave more things unsaid

This is a guest post by Mark Blackham. It’s a huge pleasure to have Mark as my first ever guest blogger at Upheavals. I first met Mark many years ago, and he has been a regular commenter here on reputational and branding issues. I hope you enjoy his perspectives as much as I do. The more I learn about how humans receive information and conceive ideas, the more simplistic most marketing looks. We’re beginning to understand from brain research that a million different experiences, predispositions and feelings go into each human decision. Behavioural economist Daniel Kahneman talks about a ‘remembering self’ that selects the experiences we use to create and define ourselves. Each one of us has this complex bundle of self-selected memories that influence our decisions. Yet marketing is often based on one insight thought to be common across all target customers. When you consider the variance of attitudes possible across individuals, that insight has to be a generality to be accurate. And if it’s a generality, it’s likely to be irrelevant to the …

Expanding the brand experience: one question looms large

Relationships are becoming more one on one; communications are becoming faster and more frequent; customer loyalty cycles are becoming shorter – and yet organisations, returning to merger mode after the GFC, are scaling to breathtaking size. The dichotomy between the intimacy customers are looking for and the footprint that companies are generating in order to, supposedly, reach those individuals more efficiently is glaring. This incongruity came up in conversation recently during a discussion about the mega merger of Omnicom and Publicis. We were talking through how such a merger would probably be great for the agencies’ biggest clients but might read as a signal to depart for those that could now fall below the horizon of attention. Imagine how much clout you’re going to have as a marketing client with even a few million to spend in a Group that will be billing around $23 billion? Imagine how difficult it is for a company of that scale to deliver communications that feel one on one? I’ve seen and heard a number of reasons for why …

The irony of market research

Every brand wants the insights that great research brings. And every consumer wants the relevance. They want products that fit with them, service that gels with them, ideas that excite them, attitudes that ring true … They want brands to read their minds, even though they themselves may not be clear as to why they make the decisions they do. But no-one wants intrusion. And no-one wants the same questions and the same ratings system and the same format. Perhaps it’s because they know that the researchers aren’t actually interested in them at all. It’s not personal, it’s research. The people asking the carefully formatted questions are just looking for data. They just want another answer to their questions coming out of another mouth in a format that they feel comfortable with. It’s always hard to get people involved if they don’t believe that the feedback they give is going to make any difference. It’s even harder when they see brands then making changes that they don’t believe are in their interests as consumers or …

Could the future of brand rivalry lie in being asymmetrical?

Three seemingly unrelated articles got me thinking today about the future of brand competitiveness in a world where the competitors are increasingly globally scaled. Conventional knowledge suggests that brands square off in the arena of public awareness. Each party assembles its awareness and loyalty generators and then launches a charm offensive to consumers offering them multiple reasons and multiple channels to choose them over others. In the fight between big and big, that’s a relatively straightforward competition. But how do you take on the biggest brands in the world if you are a much smaller marketing force or if you’re looking for an alternative strategy? Perhaps you do so by not taking them on directly. And perhaps you don’t take them on alone. The thought for this came from an article by Stan McChrystal (thanks Alex) on the lessons he learnt in Iraq: that a massive and powerful adversary can be seriously affected by a much, much smaller force that leverages its network and moves quickly to find points of vulnerability. The relevance of McChrystal’s …

Fighting the "fadar" …

We now have greater access to ideas than ever before, but the ideas themselves, it seems to me, have a much shorter half-life. New thinking, new people, new everything are presented to us at a dizzying pace – in editorial, feeds, slide decks, talks, videos, articles, almost everywhere one cares to look. In an age of instant celebrity and content marketing, thoughts and variations of thoughts are being championed from every social soapbox. Ideas have become fashion – because they are marketed to us as fashions. And like fashion, most will barely outlive the press release that trumpeted them. A proliferation of lists across the media adds to the sense of volatility. The “fadar” is how I describe the promulgation of ideas fighting for our collective and individual attention across every aspect of the cultural landscape. Some will shine. Many won’t get the chance. Others will bedazzle on first view only to burn out well before they hit paydirt … (Ironically, as an idea in its own right, the fadar is of course subject to …

9 factors that help anchor your brand price

Behavioural economists refer to the decision making process brands use to set a price in the minds of consumers, especially when those buyers are dealing with something that is unfamiliar to them, as “anchoring”. Anchoring provides a reference point from which to perceive and negotiate “worth”. Brands looking to set a high value on what they offer anchor highly; brands looking to position themselves as accessible and everyday do the opposite. De Beers anchored the value of their rings around “two months’ salary”. The message to purchasers – in this case, men in a jewellery store (perhaps the ultimate social fish out of water) – was that it will hurt but it’s worth it. At the other end of the value scale, when Coca Cola originally positioned their “delicious, refreshing” drink at 5c a glass, they were sending a clear signal to drinkers that Coke was the affordable beverage everyone could enjoy every day. Both messages were on brand, even though they presented vastly different value propositions. De Beers’ “price” of course takes no reference …

When projects don’t stack: the fine art of understanding mistakes

By Mark Di Somma When a project doesn’t meet expectations, I’m fascinated by what gets asked, who does the asking and what, if anything, emerges as the key learning. My view is that we should treat projects that don’t go to plan not so much as wreckages but rather as breakages: they occur when the picture we have in our minds of what will occur shatters, splits or simply falls a different way than we had led ourselves to expect. That can mean something as elemental as having the wrong picture in the first place – or it can come down to developments that pulled things out of alignment. Faced with picking up the pieces, here are 22 questions I use to try and get to the truth, and to move on: 1. What exactly went wrong? (What did not happen?) 2. How “wrong” was it – in the sense that how much did it differ from what we had told ourselves would happen? 3. How realistic was our prediction in the first place? (How …

Whose buying – and whose purchasing?

At first the question appears nonsensical. But only if you assume that buying and purchasing are synonyms. Most financial systems treat them as exactly that because, from their perspective, the result is the same. Income. But there is a difference – and being able to define and quantify that difference is important. Semantics doesn’t just split hairs. It splits customers. It isolates loyalties and behaviours. And in so doing, it potentially defines different actions. But it only does so for those prepared to look for the nuances. As big data hands marketers and decision makers more and more detail, the ability to read between the lines and find the nuances of behaviour in the numbers will be more important than ever. In this case, being able to tell the difference between your buyers (“the people who actively choose to buy from us”) and your purchasers (“the people who happen to have bought from us”) reveals two very different parties in terms of inclination. The first will be back. The second may not. Things become a …

Lessons from an unnoticed violinist

I’ve always loved the story of Joshua Bell playing the Bach pieces largely unnoticed in the Washington metro station. Please watch the video if you don’t know the story. And while the experiment does indeed confirm that we don’t take the time to appreciate as much as we should, more particularly, it’s also a poignant example of the contributions of context and information to our everyday decision making. Context provides so much of how we read situations. No-one expects to see a concert violinist playing at a station – and because no-one expects it, no-one notices what he is doing, regardless of the extraordinary quality, and even fewer reward it. In that setting, in the blink of an eye that people evaluate, he’s just another musician, just another busker. If he was that good, many people would have subconsciously thought, he wouldn’t be playing here. So if he had played in another setting, even if it wasn’t a concert hall, would that have given his performance greater credibility for those passing by? Quite possibly. There’s …